Juno Films has acquired rights to the experimental drama The Same Storm, from writer-director Peter Hedges (Ben Is Back), for distribution in the U.S., Canada and the UK. The film will open at the Quad Cinema in NYC and the Laemmle Santa Monica on October 14.
Filmed during the Covid pandemic using cell phones and laptops, The Same Storm invites viewers into the lives of 24 characters as they navigate the spring and summer of 2020. With lockdowns, the Black Lives Matter movement and the looming 2020 election as key backdrops, the film explores the importance of human connection, family and love during a time when all of that seemed out of reach.
The film will open October 14th at the Quad Cinema in NYC and Laemmle NoHo and Santa Monica with additional cities to follow.
Read more here: Deadline
cool and atmospheric
THE NEW YORK TIMES: August, 2022 We Are Living Things’ Review: The Truth Is Out There by Austin Considine
...DARK AS IT SOMETIMES GETS, IT’S A WINNER.
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'We Are Living Things' will play at Quad Cinema on August 12 - 18.
Albert is employed to look after Mia, a girl with teeth of ice. Mia never leaves their apartment, where the shutters are always closed. The telephone rings regularly and the Master enquires after Mia’s wellbeing. Until the day Albert is instructed that he must prepare the child to leave...
Director: Lucile Hadzihalilovic 2021, 115 min. In English.
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Writer-director Tinna Hrafnsdóttir’s critically acclaimed Icelandic psychological-mystery drama “Quake” has sold to Juno Films for North America and the U.K. as well as to Njuta Films for Sweden.
“‘Quake’ is a taut mystery-thriller that masterfully spirals toward a cathartic, emotionally satisfying resolution,” said Elizabeth Sheldon, Juno Films’ president and CEO. “The stunning cinematography reflects a barren cold landscape that in turn reflects the emotionally frigid familial relationships in a film that keeps you guessing — until the very end — what is true.”
Read more Variety Announcement Quake.
Chavez was a firm believer in non-violence. In theory, the aesthetic of non-violence in the face of injustice is inspiring. In practice, the brutality of violence upon one’s body without resorting to reciprocating that violence is far from being aesthetically pleasing. But this is precisely the subtext the film operates in. The music and visual arts behind the movement gave strikers the spiritual strength and motivation that helped them bear the pain and humiliation inflicted by goons. Chavez and the arts inspired by the movement gave strikers a sense of pride and identity.
Danish author Karen Blixen may be best known for her 1937 memoir “Out of Africa”— widely published under the pen name Isak Dinesen — and from its 1985 Oscar-winning screen adaptation, in which the erstwhile coffee farmer was portrayed by Meryl Streep.
But as the superbly acted drama “The Pact” recounts, Blixen (a formidable Birthe Neumann), in a later life wracked by pain, illness, loneliness and loss, had become a sort of exalted manipulator of souls coasting on wealth, status and a near-legendary gravitas. There was a smoke-and-mirrors aspect to Blixen’s powers that was seemingly all in the service of concocting good stories, even if she wasn’t necessarily writing them herself. (Though long divorced from her baron husband, she continued to be known as “Baroness.”)
Read more here.
"Juno Films has claimed North America rights to The Pact, a film from Oscar and Palme d’Or-winning director Bille August (Pelle the Conqueror, House of Spirits), which is based on the true story of Out of Africa author Karen Blixen, planning to release it in U.S. and Canadian theaters in early 2022, followed by a digital release later in the year.
The Pact catches up with Blixen (Birthe Neumann) at age 63, finding her at the pinnacle of her fame and next in line to win the Nobel Prize for literature. It has been 17 years since she gave up her famous farm in Africa, only to return to Denmark with her life in ruins. Devastated by syphilis and having lost the love of her life, she has reinvented herself as a literary sensation. She is an isolated genius, however, until the day she meets talented 30-year-old poet Thorkild Bjørnvig (Simon Bennebjerg), promising him literary stardom if he in return will obey her unconditionally, even at the cost of him losing everything else in his life."
“Andresen’s determination to rise above misfortune, and his hopes for himself, make this movie less than a total tragedy. But it’s an often shudder-inducing cautionary tale.”